Equinox Publishing
 



ISBN : 978-979-3780-69-6
Size : 15.2 x 23 x 1.9 cm
Weight : 400 g
Pages : 320
Format : Softcover
Price : USD 14.95


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REPORTING INDONESIA
The Jakarta Post Story 1983-2008

by Bill Tarrant

ABOUT THE BOOK
The Jakarta Post was born in 1983 when Suharto’s repressive New Order regime was at its height and the media was muzzled. Five rival media companies came together to start an English-language daily that some saw as an experiment doomed to fail. But the newspaper’s punchy editorials, clean presentation of the news, and quirky columns and features quickly made an impression with the growing expatriate community.

Over the years, the Post developed a unique editorial culture of expatriates and multicultural Indonesians. And by the time Suharto was ousted, the newspaper had earned a reputation for testing the limits of censorship and for breaking stories. Reporting Indonesia: The Jakarta Post Story traces the birth and growth of a newspaper in a developing country against the backdrop of the tumultuous events of the past 25 years in the world’s fourth-largest nation.

The story of The Jakarta Post illuminates conflicting themes about journalism in Indonesia while taking the reader behind the scenes to reveal intrigue in the boardroom and stresses in the newsroom. It is required reading for all students of journalism and media studies, as well as anyone interested in the struggles of independent media in the developing world.


ABOUT THE AUTHOR
Bill Tarrant
has been a correspondent, bureau chief and editor for Reuters in Asia for the past 22 years. He was among a group of editors that helped start The Jakarta Post in 1983. He is currently Deputy Editor, Politics and General News, for Thomson Reuters in Asia based in Singapore. He is married with two daughters.

 

 


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 REPORTING INDONESIA: The Jakarta Post Story 1983-2008
  » Review: Tempo Magazine

 


Tempo Magazine
November 17, 2008


Tempo Magazine, Reporting Indonesia: The Jakarta Post Story 1983-2008

By David Jardine

IT'S 10:30am, Monday and I am on platform 3 at Gambir Station awaiting the 10:43 Pakuan Express to Bogor and some cool mountain air; 11:30, and finally the train pulls in. We reach Bogor at 1:30pm. The 55-minute journey has taken two hours and my stomach is protesting but I am not. Reason? I am totally engrossed in Bill Tarrant's history of The Jakarta Post, Indonesia's only current English-language daily.

I am already on page 130 by the time I sit down in a warung in Bogor's quirky Taman Topi (Hat Park) for chicken and vegetable soup. I am thinking the author should take this as a compliment, no, not the soup but my engrossment.

Bill Tarrant, an American who works for Reuters, was there at the JP's birth in 1983. He has written a fascinating account of a newspaper's first 25 years which is both a study of the development of the print media in Indonesia but also of the nation's modern political history. It is at one and the same time an insight into the personalities that have shaped the paper and a record of the media struggle against a brutal dictatorship, Suharto's New Order.

When I first came to Indonesia in 1987 to work (as a teacher) there were three English-language dailies. The other two were The Indonesian Observer and the lamentably bad Indonesia Times, both now defunct. I have worked for and contributed to all three and for me the JP, whatever faults it may have had, has always been light years in front. Soon perhaps it will have competition if the scuttlebutt is correct. The Jakarta Globe is on the horizon.

The Indonesia Times, it might be said, once disgraced itself by reproducing in toto across two pages the long-debunked anti-Semitic Tsarist-era Russian hoax The Protocols of the Elders of Zion. I feel sure that the JP would never have done that.

What Tarrant has done particularly well is to describe the peculiar New Order origins of the paper and its transformation into a paper of substance critical of the regime. It may come as a surprise to many, as it did to me, that such an egregious New Order figure as Ali Moertopo should have been crucial to its formation. Moertopo, he of the sinister New Order terror machine, was Minister of Information and the man to whom founder Jusuf Wanandi, an anti-Sukarno activist, went with the idea of forming the paper. The New Order connection of which I have been unaware is further strengthened by the presence amongst its original shareholders of Suharto's long-term Information Minister Harmoko, a man who indeed wielded great power over the media!

The author describes the early and probably inevitable personality battles of the early days. In the blue corner Amir Daud, managing editor recruited from Tempo and in the red corner, chief editor Sabam Siagian, later RI Ambassador to Canberra. There were later personality clashes between Jusuf Wanandi and publisher Raymond Toruan, self-proclaimed Fabian Socialist, the publisher, all of which Tarrant has covered.

The late Amir Daud, "a stickler for the facts" and "old-school editor", is a man of my own fond remembrance at the Observer and the Times, where he had been drafted in for the forlorn task of silk-pursing the sow's ear. Tarrant says of him that it was either "his way or the highway", which did not sit well with the circumlocutory ethos of the Javanese amongst the staff.

You get a sense here that in the early days it was touch-and-go for the paper but despite everything it stuck it out. It made its early readership inroads by appealing to the then fast-growing expatriate "community", many of them English-speaking. Later came the cohort of educated Indonesians fed up with the pap served up to them by the largely cowed Indonesian-language media.

One of the paper's great difficulties was the dearth of qualified English-literate Indonesian journalists. Needs be, expatriate copy editing staff were recruited and that remains the case today, although it is always a formula for some tension, not least because of salary disparities but also because of differences in approach to presentation of content.

An early choice was made between British and American English and the latter was taken up. This, I might say, was only ever an irritant to me. I can never say 'traffic circle' (American) when I want to say 'roundabout' (British) but a choice did have to be made.

Sometimes it does lead to genuinely irksome usages such as 'England' for the 'United Kingdom (UK)'. If anyone at the JP can show me where it says 'England' on my British passport, I'll eat my hat, or theirs!

So, Tarrant takes us through a battle with the censors which the best of Indonesian media was waging in the Dark Ages of the dictatorship and shows us how the JP tested the margins of censorship imposed by the egregious Harmoko. Remember that that was a time when licenses could be revoked and often were.

I must say that it has not ceased to amaze me how Harmoko has never been called to account for his role in New Order repression!

The JP's ability to outwit the censors by placing critical material where the largely English-language incompetent censors did not look for it, in the final paragraph, say, or on the City page was matched by the growing lucidity and forcefulness of its editorials and they remain one of the paper's best features, lucid and judicious.

Raymond Toruan, the self-proclaimed Fabian Socialist and patron of the 1990s student movement, and later managing editor Susanto Pudjomartono, wanted to steer the paper in the direction of the burgeoning Indonesian NGOs and civil society. This they did but Jusuf Wanandi was not happy at all with this new approach. Tarrant writes, "He watched up-close his mentor Moertopo's machinations with civil society groups, he was not at all sure he wanted to see that in the newspaper." Perhaps Jusuf's greatest fear was that the regime would link him and the paper directly to the radical students.

It was, of course, student-led protests against the background of the severe financial and economic crisis of 1998 (krismon) and the brutal military response to those protests that gave the regime its final push.

The JP has come a long way since its beginnings in 1983 in the laundry room of Kompas newspaper. Its editorials, however, remain both judicious and lucid for the most part, its letters page lively and some of its regular columnists thought-provoking. Here have in mind its own Ati Nurbaiti, now a managing editor, a founder of the anti-regime Association of Independent Journalists (AJI), Harry Baskhara, a gracious but plain-speaking man, and Kornelius Purba. Add in the non-staffers such as Julia Suryakusuma and Professor Mochtar Buchori and you have a goodly lineup of local contributors.

I do think nonetheless that the paper might lighten up its rather serious tone. Perhaps bringing on board that veteran HK-based journalist and wag Nuri Vittachi goes some way to meeting this need. Expatriate Simon Pitchforth's Metro Mad column in the Sunday edition is always likely to be scatological and provocative in the best kind of way.

A British expatriate friend of mine says he does not find the JP 'interesting' because there are always corruption stories, but I ask how is the paper to avoid them? They are meat and drink to a serious paper and it would be a dereliction of duty to ignore them. Rights abuse cases, likewise.

There are on the other hand stories I wish they would pursue such as the finance trail that leads, according to campaigning Aussie journalist Mike Davis, from government ministries to the pro-Jakarta East Timor militia. World Bank money was involved, Davis says. In general the JP let the military and in particular the officer corps off lightly regarding East Timor, I believe.

Bill Tarrant has, as I say, written a highly readable account of the newspaper. Interviewing as many of the players as possible including those such as current chief editor Endy Bahyuni and the veteran Harry Baskhara, both there at the birth in 1983, he brings us authentic insider voices. All in all, fascinating stuff and a powerful picture of a regionally important media outlet. Very much recommended!

 

 
 REPORTING INDONESIA: The Jakarta Post Story 1983-2008
  » Review: Tempo Magazine